JUSTICE WEEKEND, PART II: MSTRKRFT

IRONICALLY ARE NEITHER MSTRS NOR KRFTY


Hockey masks reduce visibility in the club to 45%. Awww yeah.

The second phase of Justice weekend was to see MSTRKRFT DJ at Smart Bar. I have my issues with the duo's original work, but I at least thought we'd have enough common musical ground for me to enjoy a DJ set of theirs.

First some wannabe hipster DJs played some ok tracks and mixed them terribly. Once they were done the two dudes got up there and proceeded to bore us to tears. I didn't know it was so hard to fuck up playing other people's music. Maybe it was just me, but the mix was a flat, boring set that went nowhere, no peaks, nothing interesting, nothing to get me moving. They didn't play a single track that I can remember. Disappointing, especially compared to Johnny Love's similar but incredibly more visceral set from the previous show. We left.

Lately I've been putting on You're A Woman, I'm A Machine again, a record I can't seem to get sick of. It's sad to compare the bass lines from DFA1979 to those on MSTRKRFT's remixes. Maybe they have a different mindset for BAND work and completely separate DANCE work. The riffs from DFA1979 were huge, fluent chunks of driving melodic, seismic force. On MSTRKFT's work, the bass is continually holding back. No more driving bass lines ripping through verse to chorus, just some stuttering notes looped over and over. Bring back the killa bass.

I still dig some of what the guys do and wouldn't be opposed to checking them out again. That b-side I heard about community or whatever is pretty decent.

WENT HOME, GOT DOWN

BAND EULOGY: DEATH FROM ABOVE 1979

2006 has not been a particularly kind year for my music. The fact that it seems like all my favorite bands released disappointments - YYYs, the Walkmen, the Gossip, the Strokes, for starters - is bad enough. Now we have to write about the casualties; eulogies for soldiers at the top of their game, lost in the war against crap.

Admittedly, the death of Death From Above 1979 is not a huge shock. Talking to the boys a year ago at Intonation, in retrospect, showed signs of splitting. Drummer was kind of a dick. Bassist was much more enthused to talk electro-house than noise-pop-metal. You hardly ever saw them together.

But that doesn't make the loss any less saddening. I was "with" this band since their first release caught my interest on Insound. I didn't like metal - but I really dug this band. The following Romantic Rights EP, vinyl currently standing tall on the bookshelf behind me, is easily one of my favorite releases in the past few years - a flawless, seamless three tracks with a frighteningly high ratio of music-goodness to time. The double a side single Blood On Our Hands/Going Steady had my anticipation burning. And then the album, the somewhat puzzling addition of extreme press coverage, the welcomed constant touring, the videos, the fans, the remixes. Never thought I'd see this band make all those stops.

The worst part of this break-up is not entirely obvious. I wasn't particularly looking forward to future DFA1979 releases (the rumored circumstances of which were very confusing). The real loss will be if Jesse F. Keeler never plays live bass on tour again. Those huge fucking cabinets of pulverizing distortion from down below were that band. Gripping to the edge of the stage, holding on for dear life in the unexpected tide of hipster-moshing, one forgets about the little things (uh... drums, lyrics, songs, etc.). There was just that insane, throbbing force enveloping my brain in thick bass. It would have permanently ruined my hearing, but I would've stuck my head in those speakers if they let me.

So Keeler may play live bass on MSTRKRFT remixes and originals (at least it sounds live), but I sincerely doubt that a MSTRKRFT live performance will ever involve live instruments of any sort. So this is the inevitable fan plea: please, someone, one of you many musically-inclined Canadians or otherwise, form an actual band with that guy on bass. Seriously.